#Minecraft background music full#

If they do, I usually like to put something in between so it makes sense that these songs are on there, but you wouldn't even know if you listened to the album because it sounds like one whole thing. Then I slap them into one project file and basically see it as a jigsaw puzzle, putting them next to each other to see if they work. The way I structure the album is that I first render out all the songs and make sure they're all nicely mastered. There's definitely a narrative to it, but I don't know what the story is now. How did you settle on the structure of Minecraft Volume Alpha? Did you create a narrative for the album, or just limit yourself to making it sonically flow? It's fixed: there's nothing random about it. The music in the game is generated randomly, but the beauty of an album is its structure and narrative. I would extend the songs into some new territory, then render them as two songs even though they're the same song with a short pause in between. He said, 'Don't touch the source material, but if you want to attach something else to it you can make it like a second song type of thing.' So that's what I did.

I have a good friend who is really into video game soundtracks, and I asked him what I should do. So, extending the album into a more cohesive piece that can be played on its own feels better than just taking all of the sound files and slapping them onto an album. I like to add more stuff to the songs that are in the game because I feel that players are probably not as interested in buying music that's already in the game. I also use a Moog Voyager, a Dave Smith Prophet-8, and an Access Virus TI donated by my brother.įor Minecraft Volume Alpha, did you create new songs or were they basically extended versions of tracks that appear in the game? I'm also a big fan of FabFilter these days. I don't really use anything that's inside Ableton I just use a shit ton of VSTs-a lot of Native Instruments, for instance. Production-wise, I've always stuck with Ableton Live and there's really no reason to switch to something else at this point. But I wanted to go around that and make something organic and partly electronic, partly acoustic, and see if that would be interesting. The first time I saw Minecraft, people wanted to have 8-bit style video game music. It was so weird to me that I kind of wanted to experiment with contrasts. But it put me off because it makes absolutely no sense: this game is so ugly but it puts out such normal music.

The first thing that happens when you start the game is you see this ugly ass DOS window and there is flamenco guitar music playing because one of the developer's probably liked it. It's like a simulation of an entire world, and the goal of the game is that you have this fortress of actual dwarves with unique minds, and they can go crazy if you don't tend to them. It's probably the ugliest game in the world because it's in MS-DOS, but it's the most complex game you could imagine. The best example of this is Dwarf Fortress.

What was your first instinct when creating music for Minecraft?Īt the time I was interested in games with music that takes you completely by surprise. It's the most popular game in the world and the music is so weird. Markus basically gave me complete freedom in what I wanted to do, and I think that helped a lot because the music is weird. Motherboard: Did the fact that Minecraft was an indie game allow you a degree of compositional latitude that you just wouldn't have had if you had been composing for a AAA game?ĭaniel Rosenfeld: Oh, absolutely! Let's just say it's 2012 and Ubisoft comes to you and says, 'We need background music, but it needs to be dubstep, so please make so much dubstep.' With indie games you often don't get that. While working out the final details of the Ghostly release, Rosenfeld recently spoke to Motherboard about composing for Minecraft, as well as how he records and structures his Minecraft -related albums. The Oculus Quest 2 is one of the best VR headsets out there, but playing standalone games on the headset means missing out on comforts like background music. This freedom allows Rosenfeld publish the music as he pleases, which will include vinyl and CD releases for Minecraft Volume Alpha via Ghostly International on August 21. And because Rosenfeld owns all rights to the music, he is able to build upon the sounds of Minecraft's world as a solo artist.

#Minecraft background music full#

Jevil background.When Minecraft got its full release in 2011, Rosenfeld music was suddenly the soundtrack to many a gamer's block-building fantasies.